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TrailerFormer marshal Will Kane is preparing to leave with his new bride, Amy, when he learns that local criminal, his deadly enemy, has been set free, is coming to seek revenge and his own town refuses to help him.Actors: Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado, Grace Kelly, Otto Kruger, Lon Chaney Jr., Harry Morgan, Ian MacDonald, Eve McVeagh, Morgan Farley, ...»Director: Fred ZinnemannCountry: United StatesDuration: 85 minQuality: HDRelease: 1952IMDb: 8.0Rating(2) Voted0 CommentsSort By- Newest
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Actors of "High Noon"
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Characters of "High Noon"
Marshal Will KanePlayed by: Gary Cooper
Mayor Jonas HendersonPlayed by: Thomas Mitchell
Harvey PellPlayed by: Lloyd Bridges
Helen RamPlayed by: Katy Jurado
Amy Fowler KanePlayed by: Grace Kelly
Judge Percy MettrickPlayed by: Otto Kruger
Martin HowePlayed by: Lon Chaney Jr.
Sam FullerPlayed by: Harry Morgan
Frank MillerPlayed by: Ian MacDonald
Mildred FullerPlayed by: Eve McVeagh
MinisterPlayed by: Morgan Farley
CooperPlayed by: Harry Shannon
Jack ColbyPlayed by: Lee Van Cleef
Jim PiercePlayed by: Robert J. Wilke
Ben MillerPlayed by: Sheb Wooley -
Directors of "High Noon"
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Creators of "High Noon"
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Critic Reviews of "High Noon"
TIME MagazineJuly 26, 2011High Noon combines its points about good citizenship with some excellent picturemaking.
VarietyOctober 18, 2008Zinnemann carefully and deliberately makes the most of the mood cast by the threat of impending violence.
Chicago ReaderSeptember 04, 2007Some of the results ring false, but the memorable theme song and some equally memorable character acting (by Thomas Mitchell and Lon Chaney Jr. more than Lloyd Bridges and Katy Jurado) help things along.
Time OutFebruary 09, 2006High Noon won a fistful of Oscars, but in these days of pasteboard screen machismo, it's worth seeing simply as the anatomy of what it took to make a man before the myth turned sour.
Village VoiceApril 27, 2004More than a half-century later, Foreman was right after all: High Noon is a scorching and sour portrait of American complacence and capacity for collaborationism.
Washington PostMay 30, 2003Regarded as '50s melodrama, it's nearly perfect.
Film InquiryFebruary 22, 2017High Noon reflected the heightened fear of the Soviets in the '50s, now similar to the xenophobia that has been raised and further inflamed by our political leaders.
rec.arts.movies.reviewsJanuary 03, 2016Deserving of its classic western status... although for a movie predicated on its titular twelve o'clock showdown, the gunfight itself is oddly anticlimactic.
Combustible CelluloidAugust 22, 2012High Noon isn't really a masterpiece, and if you're a fan of more honest Westerns, it's hard not to notice Zinnemann's general lack of interest throughout. But it is a tense, effective little film.
Empire MagazineJuly 26, 2011Deserving of its label as a true classic, and essential viewing.
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Gallery of "High Noon"
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